A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. Pieter Claesz, Vanitas with Violin and Glass Ball, the artist is visible in the reflection, 1625. A self-portrait may be a portrait of the artist, or a portrait included drawing lessons for children gouache video lessons a larger work, including a group portrait.
Many painters are said to have included depictions of specific individuals, including themselves, in painting figures in religious or other types of composition. In what may be one of the earliest childhood self-portraits now surviving, Albrecht Dürer depicts himself as in naturalistic style as a 13-year-old boy in 1484. In later years he appears variously as a merchant in the background of Biblical scenes and as Christ. Leonardo da Vinci may have drawn a picture of himself at the age of 60, in around 1512. The picture is often straightforwardly reproduced as Da Vinci’s appearance, although this is not certain.
In the 17th century, Rembrandt painted a range of self-portraits. Saskia, Rembrandt’s wife, one of the earliest depictions of a family member by a famous artist. Sandro Botticelli’s painting of the Adoration of the Magi has an “inserted self-portrait”. Piero della Francesca as a sleeping soldier in his Resurrection, 1463, fresco, Sansepolcro.
He is at the extreme right of a crowded composition. Caterina van Hemessen’s 1548 self-portrait, perhaps the oldest self-portrait of a female oil-painter, though much earlier examples of manuscript painters exist. Cremona served as court painter to the Queen of Spain, and painted several self-portraits and many images of her family. Lavinia Fontana, Self-portrait at the Clavichord with a Servant, 1577. She was born in Bologna, the daughter of Prospero Fontana, who was a painter of the School of Bologna. Artemisia Gentileschi, Self-Portrait as the Allegory of Painting, 1630s, Royal Collection. Note the pulled-up sleeve on the arm holding the brush.